奇普菲尔德建筑师展示了柏林新国家美术馆的更新，Chipperfield Architects在德国柏林的 Neue Nationalgalerie展示了其标志性现代主义建筑的翻新工程。

你无需成为建筑学者即可了解柏林的 Neue Nationalgalerie。该博物馆由路德维希·密斯·凡德罗设计并于 1968 年开放，不仅是德国城市的重要文化目的地，拥有丰富的现代艺术收藏品，而且还是 20 世纪现代主义的全球标志。但自最初开放以来，多年的使用和没有重大的翻新工程使得这座开创性的建筑需要更新。输入大卫·奇普菲尔德和他的团队在奇普菲尔德建筑事务所，并会场刚刚重新开放经过广泛，六年之久的改款。 

建筑师们使用了具有里程碑意义的建筑简洁、几乎简约的 形式，成为其创造者所代表的国际风格的象征——玻璃包裹的低矮、正交形状，使用网格、金属和混凝土，这是当时的先驱。这也是密斯凡德罗在现代主义移民美国之前在欧洲实现的唯一项目。

建筑师解释说，翻新工程包括主体结构的内部和外部以及室外 雕塑花园，优先考虑“最小的视觉妥协”。功能和技术更新范围从空调、照明和安全维修，到重新设计咖啡馆、博物馆商店、残疾人通道和艺术处理基础设施。然而，对建筑物原始结构的干预尽可能保持轻巧。

'拆开如此权威的建筑是一种奇怪的经历，但却是一种特权。新国家美术馆是我和许多其他建筑师的试金石。从它的外观背后看，它的天才和缺陷都暴露无遗，但总的来说，它只会加深我对密斯远见卓识的钦佩。因此，我们的工作本质上是外科手术，解决了保护这一愿景的技术问题。当然，在一座没有地方躲藏的建筑物中执行这样的任务是令人生畏的，但我们希望这位心爱的病人除了运行更顺畅外，似乎没有受到任何影响，”大卫奇普菲尔德说。 

除了与建筑工程相关的建筑庆祝活动外，重新开放还将在画廊的广阔空间中推出许多新的展览和展示——其中一个重点是美国雕塑家亚历山大·考尔德。

英文版

Chipperfield Architects reveals refresh of Neue Nationalgalerie in Berlin,Chipperfield Architects reveals its refurbishment of the iconic modernist architecture at the Neue Nationalgalerie in Berlin, Germany.

you don’t need to be an architecture scholar to know of the Neue Nationalgalerie in Berlin. Designed by Ludwig Mies van der Rohe and opened in 1968, the museum is not only a key cultural destination within the German city, holding a rich collection of modern art, but it is also a global icon of 20th century modernism. But years of use and no major renovation works since its original opening left this seminal building in need of an update. Enter David Chipperfield and his team at Chipperfield Architects, and the venue has just reopened following an extensive, six-year-long facelift. 

The architects worked with the landmark piece of architecture’s clean, almost minimalist form that became emblematic of the International Style its creator represents – a glass-wrapped low, orthogonal shape using grids, metal and concrete that was pioneering for the time. It is also the only project by Mies van der Rohe to be realised in Europe, before the modernist emigrated to the USA.

The refurbishment works include the interior and exterior of the main structure as well as its outdoor sculpture gardens, prioritising ‘a minimum of visual compromise,’ explain the architects. Functional and technical updates ranged from air-conditioning, lighting and security repairs, to redesigning the café, museum shop, disabled access and art handling infrastructure. Intervention to the original fabric of the building, however, was kept as light as possible.

‘Taking apart a building of such unquestionable authority has been a strange experience but a privilege. The Neue Nationalgalerie is a touchstone for myself and many other architects. Seeing behind its exterior has revealed both its genius and its flaws, but overall it has only deepened my admiration for Mies’ vision. Our work was therefore surgical in nature, addressing technical issues to protect this vision. Certainly carrying out such a task in a building that leaves no place to hide is daunting, but we hope to have returned this beloved patient seemingly untouched except for it running more smoothly,’ says David Chipperfield. 

Apart from the architectural celebrations linked to the building works, the reopening also sees the launch of a number of new exhibitions and displays in the gallery’s vast spaces – including one focusing on American sculptor Alexander Calder.